Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 12 - Jul 17
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
Draper Targa, 137" , 16:10, Matt White XT1000E, 110 V, with LVC-IV Low Voltage ControllerThe Draper Targa 137" screen delivers a dependable, high performance projection solution that fits seamlessly into a wide range of commercial environments. Built around a sturdy pentagonal steel case, this motorized screen blends durability with clean, modern aesthetics, making it an ideal choice for conference rooms, lecture halls, hospitals, hotels, restaurants, boardrooms, and churches. The 137" diagonal size paired with a 16: 10 aspect ratio is
The Draper Targa 137" screen delivers a dependable, high-performance projection solution that fits seamlessly into a wide range of commercial environments. Built around a sturdy pentagonal steel case, this motorized screen blends durability with clean, modern aesthetics, making it an ideal choice for conference rooms, lecture halls, hospitals, hotels, restaurants, boardrooms, and churches. The 137" diagonal size paired with a 16:10 aspect ratio is particularly well-suited for presenting data-rich content, technical demonstrations, training sessions, and multimedia presentations that benefit from extra horizontal space. With XT1000E matte white fabric, image brightness and color accuracy stay vibrant and consistent, even in rooms with ambient lighting. The included LVC-IV Low Voltage Controller simplifies integration with room control systems, enabling smooth, safe operation and a clutter-free installation. Endcaps double as universal mounting brackets, allowing quick, secure wall or ceiling mounting, so you can tailor the setup to the room geometry and viewing distance. Whether you’re outfitting a university lecture hall, a hospital conference room, or a corporate training environment, the Draper Targa 137" screen provides a reliable, professional-grade display surface that resists wear while delivering sharp, engaging visuals.
- Immersive 137" diagonal with 16:10 aspect ratio: Designed to accommodate modern presentation content, multi-column dashboards, and wide-format media, the 16:10 format maximizes usable screen area for spreadsheets, video calls, and detailed graphics while preserving image proportions for accurate data interpretation.
- Durable pentagonal steel case with universal mounting endcaps: The robust housing protects the screen mechanics and fabric while the endcaps function as versatile mounting brackets, enabling secure, straightforward wall or ceiling installations that align with architectural constraints.
- XT1000E Matte White screen fabric: This high-quality projection material offers consistent brightness, wide viewing angles, and a smooth surface that minimizes image grain and hotspot effects, ensuring clean, vibrant visuals across the entire screen.
- 110 V motor with LVC-IV Low Voltage Controller: The integrated motorized system and low-voltage controller provide reliable, quiet operation and simple integration with room control systems, enabling convenient up/down movement with minimal wiring and setup effort.
- Versatile installation for commercial spaces: Excellent for classrooms, lecture halls, hospitals, hotels, restaurants, boardrooms, and houses of worship, the Draper Targa 137" adapts to various mounting locations and projector configurations, reducing installation time and costs without compromising performance.
Technical Details of Draper Targa 137"
- Screen Diagonal: 137 inches
- Aspect Ratio: 16:10
- Fabric: XT1000E Matte White
- Case Construction: Pentagonal steel housing
- Endcaps: Matching endcaps form universal mounting brackets
- Motor: 110 V AC motor
- Controller: LVC-IV Low Voltage Controller
- Mounting: Wall or ceiling mounting options via endcaps
- Finish: White powder-coated exterior for durability and a clean aesthetic
- Usage: Ideal for conference rooms, classrooms, auditoriums, and commercial environments
How to install Draper Targa 137"
- Plan the installation location by assessing viewing distance, projector throw, and available ceiling or wall space. Ensure the surface can support the weight of the screen and mounting hardware, and verify electrical access for the 110 V motor and the LVC-IV controller.
- Assemble the mounting hardware according to the endcap system. The universal brackets on the endcaps are designed to simplify alignment with either wall or ceiling mounting scenarios. Use a level to ensure the screen will sit plumb and square relative to the projector and audience.
- Mount the endcaps to the wall or ceiling. Securely fasten with appropriate hardware for the wall or ceiling type (studs for walls, joists or appropriate anchors for ceilings), ensuring the attachment points can bear the screen’s weight during operation and maintenance.
- Connect the LVC-IV Low Voltage Controller to the control system and supply. Follow the manufacturer’s wiring guidelines for low-voltage control integration, keeping cables neat, labeled, and compliant with local electrical codes.
- Attach the Draper screen housing to the mounted brackets and verify proper alignment with the projector. Smoothly install the XT1000E fabric by following Draper’s fabric guidance to prevent wrinkles or misalignment during retraction.
- Power on the system and perform a test operation. Run the screen up and down to confirm smooth motion, check for any misalignment, and adjust if necessary. Ensure the projection surface is free of creases and is centered within the viewing area.
- Calibrate image placement with your projector settings to achieve optimal focus and brightness across the entire screen. Consider lighting control and projector placement to maximize contrast and legibility in the room’s ambient lighting conditions.
- Provide a brief user guide for on-site operators, including how to use the LVC-IV controller, how to initiate screen movement, and basic troubleshooting steps such as power cycles or checking connections if the screen fails to operate.
Frequently asked questions
- What screen size and aspect ratio is the Draper Targa 137"? The screen is 137 inches diagonally with a 16:10 aspect ratio, providing broad horizontal space for data-rich content and multimedia presentations.
- What fabric is used on this model? The XT1000E Matte White fabric is designed for bright, clear, and accurate image reproduction with wide viewing angles and minimal texture on the projected image.
- What kind of mounting does it support? The endcaps are designed to form universal mounting brackets, enabling straightforward wall or ceiling installation depending on room constraints and audience sightlines.
- What controller is included? The system includes a Low Voltage Controller (LVC-IV), enabling safe, integrated control with compatible room automation systems and simplified wiring.
- What power supply does the screen require? The motor operates on 110 V AC power, suitable for standard building electrical systems in many regions. Ensure compliance with local electrical codes during installation.
- Is this screen appropriate for educational or hospitality environments? Yes. Its durable construction, easy mounting, and wide compatibility with projectors and AV setups make it a strong choice for classrooms, conference rooms, hotels, and other public or institutional spaces.
- What maintenance does the Draper Targa 137" require? Routine inspection of mounting hardware, cleanliness of fabric surface, and verification of motor operation are typically sufficient. If the fabric shows wear or creases, refer to Draper’s guidelines for fabric care and retraction.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 958 reviews
Sort
Product Reviews
★★★★★ 5
Excellent treatment of a narrow subject: how society shaped the church
Format: Paperback
This book is not a comprehensive overview of the church from 700-1500, nor is it a narrative treatment or an introduction. This book is highly selective, focusing on one central theme. Its strengths are in its organization and in the examples it gives to illustrate its theme. These examples are concrete, vivid and use quotations from original documents to excellent effect.
The theme of the book is how society shaped the church. Southern examines the main institutions of the church -- the papacy, bishops, religious orders and fringe orders -- and shows how the needs and interests of society molded each. Perhaps having written on 1000-1200 in other books, for me, the strongest insights Southern makes here are on the periods 750-1000 and 1200-1500.
Insights that particularly struck me: the importance of magic from 750-1000; the evolution of bishops, from supporting local rulers to supporting the pope; the importance of the Augustinian canons in the twelfth century, seeing them as one end of a pole, with the Cistercians on the other end and the Benedictines in the middle; the role of Franciscans and Dominicans in supporting scholars in the thirteenth century; and the fringe orders -- the book has one of the best treatments of the Brethren of the Common Life from the fourteenth century that I have come across.
The book is highly selective. There is no treatment in this book on intellectual life (the "new learning") or artistic life, nor is there much on the heresies of the period or popular religion (the "new piety"). What the book does select to treat, it does so in a deep, highly readable, substantial way. One will definitely come away with how the demands of society molded the church. Highly recommended!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 24, 2021
★★★★★ 4
Wonderful book, but not a general reference on the subject & period
Format: Paperback
Southern's powerful study of the organizational and administrative structures of the medieval church is a wonderful antidote for the popular view of the Middle Ages as a long period of almost continual chaos between the Fall of the Roman Empire and the Renaissance (i.e. the "Dark Ages"). Southern does a fantastically good job of explaining and illustrating the central truth of the Church in the Middle Ages, i.e. that the Church was identical with society to an extent that had never been true before and has never been true since. That said, Southern's disciplined approach is often too much of a good thing and there are a number of topics which one would expect to take pride of place in a typical narrative history of the subject and period that Southern touches on only obliquely and insofar as they are relevant to his primary topic: those neglected stories include the long papal/imperial struggle (Guelps & Ghibellines), the Crusades, the Black Death, etc.. Southern also has a puzzling and sometimes maddening tendency to couch the discussion in terms of implications, roles and epithets instead of being explicit and just naming names. E.g. in the context of the discussion of the fall of Constantinople, Mehmed II is mentioned äs "the conqueror", but not by name; that a pope visited Constantinople in 710 for the first time and last time in premodern history is noted, but the pope is not named (it was Constantine); some of consequences of the "Donation of Constantine" are implied fairly early in the book, but it is not explitly named (and then, to add to the reader's irritation, discussed later as if the topic had already been explitly introduced). These are all characteristic slips of an expert used to addressing other experts in his field attempting in this instance to write a more or less introductory text. They are understandable slips, but they take their toll. The book is generally excellent & well worth reading and it is hard to imagine a better introduction to the topics it does cover, but unfortunately, and unlike Chadwick's initial volume in this series, it does not serve well as a general reference on the history of the Medieval Church.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2010
★★★★★ 5
Concise
Format: Paperback
I recently discovered how little I know about my own faith. This book is the second in a series of Penguin books on the history of the church. The author does an excellent job of providing an overview of the social setting of the middle ages and how the papacy, the East-West schism and the religious orders developed during this time period. I recommend this book to anyone who wants to understand more about how we got to where we are.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 31, 2010
★★★★★ 3
Three Stars
Format: Paperback
a little hard to follow
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 2, 2015
★★★★★ 5
Sad to say Christians killed "infidels" too
Format: Paperback
A real eye-opener! Christians were killing "infidels" in the middle ages and the infidels were other Christians, Jews and Muslims.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2016