SKU: 89095553910

Gold Tone A-6 A-Style Mando-Guitar (Tobacco Sunburst Satin)

Sale price$573.75 Regular price$637.50
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Description

Gold Tone A-6 A-Style Mando-Guitar (Tobacco Sunburst Satin)Looking for a versatile addition to your folk outfit thats a real player and will fill the mix just as well? We recommends Gold Tones A 6 A style Mando Guitar! It fuses the plucky and chirpy body and response of a mandolin with the 6 string tuning and neck feel of an acoustic guitar for beautiful hybrid playability that all guitar players can admire. A wider maple neck topped in rosewood creates a playing platform thats more familiar for guitarists,

Looking for a versatile addition to your folk outfit that’s a real player and will fill the mix just as well? We recommends Gold Tone’s A-6 A-style Mando-Guitar! It fuses the plucky and chirpy body and response of a mandolin with the 6-string tuning and neck feel of an acoustic guitar for beautiful hybrid playability that all guitar players can admire. A wider maple neck topped in rosewood creates a playing platform that’s more familiar for guitarists, while the higher register and classic A-style body shape of spruce-topped maple deliver a healthy dose of mandolin ambience. Exceptional playability appointments like a swinging trapeze tailpiece and Gold Tone’s proprietary Zero Glide Nut for easy accenting round out the A-6 A-style Mando-Guitar’s remarkable responsiveness. Playing larger stages? Plug in through the strap button instrument jack and let the bridge-mounted transducer amplify your tones!

Bright-natured with a big range

The A-style shape of the A-6 offers a more traditional feel than Gold Tone’s earlier F-6 Mando-Guitar model. With a maple body and a spruce top, you can expect a naturally bright tonality to perfectly complement the upper register liveliness of the A-6. Similarly, its maple neck presents an ultra-articulate and pronounced foundation for your fingers to fly confidently across the smooth rosewood fingerboard. Gold Tone even widened it for guitarists — it’s tailor-made for painless transitions from your guitar. And wow, does this little beauty have some range! A total of 21 frets span the A-6’s fingerboard, providing the exceptional versatility to skyrocket into standard mandolin-style soloing or reel things back in through open chord positions with comfort and ease.

No devil in the details

The closer you look at the A-6 A-style Mando-Guitar, the more it reveals its charming nature and quality appointments. In terms of hardware, a set of classic chrome-plated open-gear tuners hold down your intonation up top while an old-school and mando-accurate swinging trapeze tailpiece anchor things down at the body end. An adjustable walnut bridge and 2-way truss rod design leave you plenty of room to setup the A-6 exactly how you need it to play comfortably and to fit your feel. Gold Tone’s patented Zero Glide nut helps accent notes better for more pronounced performances, too! Finally, when the show calls for amplification, take advantage of the bridge-mounted transducer system. The lower strap button doubles as an instrument jack for convenient, unobtrusive connections for larger performance halls, festival stages, and more.

Gold Tone: a legacy of music

The origins of Gold Tone go back to the folk music scene of the ’70s, when musicians Wayne and Robyn Rogers opened a small music shop. Fifteen years later, they founded Gold Tone Banjos in Titusville, Florida. Their first product, the TB-100 banjo, was designed by Wayne. As demand for this critically acclaimed instrument increased, the company expanded its offerings to include a selection of fretted instruments that combine modern innovation and timeless vintage design. The goal? To inspire all musicians, from beginners to professionals, to realize their musical dreams.

Features

  • 6-string tuning replicates that of a guitar with a capo at the 12th fret (tuned 1 octave up)
  • A-style body shape with a resonant spruce top and bright maple back and sides
  • Articulate maple neck topped with a smooth playing, wide-range 21-fret rosewood fingerboard
  • Widened neck design makes for easy transitions for guitarists
  • Chrome-plated open-gear tuners and swinging trapeze tailpiece prioritize intonation and offer old-school charm
  • Adjustable walnut bridge and 2-way truss rod enable easy and convenient setup just the way you require
  • Patented Zero Glide nut makes for pronounced accenting of every note, chord, and bend
  • Bridge-mounted transducer and strap button instrument jack allow for amplification in larger, louder performance settings

Specifications

  • Type: Acoustic-electric
  • Body Shape: A Style
  • Color: Tobacco Sunburst
  • Finish: Satin
  • Top Material: Spruce
  • Body Material: Maple
  • Neck Material: Maple
  • Fingerboard Material: Rosewood
  • Fingerboard Inlay: Dots
  • Number of Frets: 21
  • Scale Length: 15"
  • Nut Material: ZeroGlide
  • Nut Width: 1.8125"
  • Bridge Material: Metal
  • Tuners: Open Gear
  • Hardware: Chrome
  • Electronics: Bridge Mounted Transducer Pickup
  • Strings: Goldtone Mango-guitar, .008, .012, .018p, .024w, .032, .042
  • Case/Gig Bag: Gig Bag
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 89095553910

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Amazon Customer
Charlottesville, US
★★★★★ 5
Shampoo conditioner.
Style: Shampoo & Conditioner Set
Works like it should.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 1, 2026
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Suzanne D.
Houston, US
★★★★★ 3
I can't get the shampoo to lather
Style: Shampoo & Conditioner Set
I've put a quarter-size dollop of the shampoo on my hair and it just vanishes. It's not because we have hard water, because we don't. I get tons of lather from small amounts of other products. When I increase the amount of shampoo to about a fifty cent piece size, it just smears around. Almost like I'm trying to shampoo with hand lotion. I actually get a pretty good amount of lather from the conditioner. Much more than the shampoo. Maybe they put the wrong product in the wrong bottles? Either that or something must be wrong with my batch of shampoo?
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Reviewed in the United States on May 22, 2024
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stefanocima
Belleville, US
★★★★★ 5
A real masterpiece
Format: Paperback
A real masterpiece of Poetry
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Reviewed in the United States on February 19, 2026
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Mario morales
Houston, US
★★★★★ 5
El libro es muy completo y esclarecedor.
Format: Paperback
Adrienne Rich es una autora cuyo discurso no te deja indiferente. Cuando la lees por primera vez te suceden cosas.
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Reviewed in the United States on November 22, 2022
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Jennifer L Pearson
Waukegan, US
★★★★★ 3
A few I loved but the rest didn't excite me
Format: Paperback
I got this book because I wasn’t sure that I wanted a book of her complete poems. This one selects from each of her volumes of poetry (she was deceased at the time of its publication). I found that I almost exclusively liked poems from her book Diving into the Wreck, which won the National Book Award. So in the end, I came away from this volume not wanting to read her complete work but wanting to read Diving into the Wreck in its entirety. This pains me somewhat. I think of Adrienne Rich as a feminist ground-breaker and icon. I came away from this realizing I probably like her essays and books tackling how women are treated more than I like her poetry. I sensed in her reserve in her poetry, that she was not wanting to bring us entirely into the impetus of the poem, holding us at a bit of a distance and not being specific. While that isn’t true of all of her poetry, that’s the feel I was getting from much of it. One thing that struck me is that in this volume, there was little evidence of her voice as an activist. I don’t know if that’s true of her poetry in general or if it’s a result of the editorial choices in this volume. Most of the poetry was very much about relationship, about how people treat each other, whether individuals or groups. Not a lot of the poetry in this volume stuck with me. I would read it and then it was gone. Out of 400 pages of poetry, I marked only 12 poems. So I was disappointed that I didn’t connect more with Adrienne Rich’s poetry, especially since her poem “Diving into the Wreck” (from the book by the same name) is one of my favorite poems. I guess more evidence that I’m a fan of specific poems more than I’m a fan of poets.
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Reviewed in the United States on April 17, 2025

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