Big Shots

Big ShotsThere was no handbook to navigating the sixties, admits Guy Webster. It was a time of newfound creative freedom during which any guidebook, had there been one, would have quickly been discarded. From this experiential culture emerged icons who continue to inspire us to this day. Los Angeles was a polestar for the music and entertainment that gave expression to this remarkable time, and Guy Webster, Nikon in hand, bore witness to it all. Webster, an LA

“There was no handbook to navigating the sixties,” admits Guy Webster. It was a time of newfound creative freedom during which any guidebook, had there been one, would have quickly been discarded. From this experiential culture emerged icons who continue to inspire us to this day. Los Angeles was a polestar for the music and entertainment that gave expression to this remarkable time, and Guy Webster, Nikon in hand, bore witness to it all. Webster, an LA native, saw his childhood stomping grounds become the epicenter of a youthquake that not only shook up the music scene but also fashion, visual arts, and popular culture. With his controversial cover shot on the Mamas and the Papas’ first album, Webster firmly established his reputation as a photographer capable not only of capturing the emotional nuance of the era, but also of helping to define it. Musicians and actors—such as Simon & Garfunkel, Jack Nicholson, Bob Dylan, Jane Fonda, Jim Morrison, Natalie Wood, Janis Joplin, Raquel Welch, Jimi Hendrix, and Mick Jagger—are among the hundreds of personalities Webster shot before they were legends. In this definitive volume, their early creative worlds and intimate stories come alive on the page.